SOLO EXHIBITIONS |
2022
2021
2019
2017
2015
2015
2014
2013
2012
2011
2010
2009
2008
2007
2006
2005
2004
2003
2002
2001
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1999
1998
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1986 |
“Inside Out,” Woodside Braseth Gallery, Seattle WA
“Light and Space,” Jansen Art Center, Lynden WA
“Compass” Woodside Braseth Gallery, Seattle, WA
Woodside Braseth Gallery, Seattle, WA
Jansen Art Center, Lynden, WA
“Odyssey” Linda Hodges Gallery, Seattle, WA
Linda Hodges Gallery, Seattle, WA
“Sojourn,” Davidson Galleries, Seattle, WA
“New Paintings,” Sue Greenwood Gallery, Laguna Beach, CA
“Introduction: Susan Bennerstrom,” Sue Greenwood Gallery, Laguna Beach, CA
“Night and Day: New Paintings,” Davidson Galleries, Seattle, WA
"Bystander,” Terrence Rogers Fine Art, Santa Monica, CA “Elements,” Davidson
Contemporary, Seattle, WA “Tent-Interior-Leaf,” Davidson Contemporary, Seattle,
WA
Terrence Rogers Fine Art, Santa Monica, CA
Gage Academy of Art, Seattle, WA
“Within,” Davidson Contemporary, Seattle, WA
“Threshold,” Terrence Rogers Fine Art, Santa Monica, CA
“River Bed,” Davidson Galleries, Seattle, WA
“Beds,” collaboration with poet Suzanne Paola, Museum of Northwest Art, LaConner,
WA
Margo Jacobsen Gallery, Portland, OR
“Existing Light, retrospective, Whatcom Museum, Bellingham, WA
Terrence Rogers Fine Art, Santa Monica, CA
Davidson Galleries, Seattle, WA
Davidson Galleries, Seattle, WA
Jenkins Johnson Gallery, San Francisco, CA
Davidson Galleries, Seattle, WA
J. Cacciola Gallery, New York NY
Margo Jacobsen Gallery, Portland, OR
“From Here to the Horizon: Curator’s View,” Whatcom Museum, Bellingham, WA
Davidson Galleries, Seattle, WA
“Objects and Incidents,” Edward Cain Galleries, Pt. Townsend, WA
Davidson Galleries, Seattle, WA
Ballyhugh Art & Culture Centre, and County Courthouse Gallery, County Cavan, Ireland
Davidson Galleries, Seattle, WA
J. Cacciola Galleries, New York, NY
Davidson Galleries, Seattle, WA
Fletcher Gallery, Santa Fe, NM
Davidson Galleries, Seattle, WA
Whatcom Museum of History and Art, Bellingham, WA
Davidson Galleries, Seattle, WA
Fletcher Gallery, Santa Fe, NM
Davidson Galleries, Seattle, WA
Fletcher Gallery, Santa Fe, NM
Davidson Galleries, Seattle, WA
Fletcher Gallery, Santa Fe, NM
Davidson Galleries, Seattle, WA
Fletcher Gallery, Santa Fe, NM
Port Angeles Fine Art Center, Port Angeles, WA
Davidson Galleries, Seattle, WA
Alonso/Sullivan Gallery, Seattle, WA
Skagit Valley College, Mount Vernon, WA
Carnegie Art Center, Walla Walla, WA
Alonso/Sullivan Gallery, Seattle, WA
Alonso/Sullivan Gallery, Seattle, WA
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GROUP
EXHIBITIONS |
2021
2020
2020
2019
2016
2015
2015
2014
2013
2012
2012
2010
2010
2009
2007
2006
2005
2003
2001
2000
1999
1998
1997
1996
1995
1994
1992
1990
1988
1987
1985
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“Tieton 10 x 10” Tieton, WA
“Tieton 10 x 10” Tieton WA
“Anatomy of a Collection” Whatcom Museum, Bellingham WA
“Continuum, Works From the Pruzan Collection” Museum of Northwest Art,
LaConner WA
“JUST WOMEN,” Whatcom Museum, Bellingham, WA
“A Couple of Cameras: Photographs by Susan Bennerstrom & David Scherrer, Salon Refu, Olympia, WA
“A Curatorial Perspective: Selections From the Permanent Collection,” Whatcom
Museum, Bellingham, WA
“Fluid,” Sue Greenwood Fine Art, Laguna Beach, CA
“Structures” from the permanent collection, Museum of NW Art, LaConner WA
“Tieton 10 x 10” Tieton, WA
“Art About Agriculture,” Oregon State University, Corvallis, OR
“Small Is Big: Tieton 10x10” Tieton, WA
“Show of Hands: Women Artists of the Northwest,” Whatcom Museum, Bellingham, WA
Small Works Show, Terrence Rogers Fine Art, Santa Monica, CA
“Constructed Worlds: Re-Visions of Reality,” Loveland Museum, Loveland, Colorado
Pt. Angeles Fine Art Center 20th Anniversary Exhibition, Pt. Angeles, WA
“Images from North Mayo,” Ballinglen Arts Foundation, Ballycastle, Co. Mayo,
Ireland
“Still Life Today,” Davidson Galleries, Seattle, WA
“Small Works by Gallery Artists,” Margo Jacobsen Gallery, Portland OR
“Small Works,” Lucia Douglas Gallery, Bellingham, WA
“Views of Nature: A Landscape Invitational,” M. Jacobsen Gallery, Portland, OR “Bennerstrom/Cole/James/Wood”
Lucia Douglas Gallery, Bellingham
Annual Realism Invitational” Jenkins Johnson Gallery, San Francisco, CA
“Betty Bowen Award 20th Anniversary Exhibition, Washington State Convention Center,
Seattle, WA
“True Art” Tacoma Art Museum, Tacoma, WA
“Shaped by the Land” Museum of Northwest Art, LaConner, WA
“Art for the People” Henry Gallery, University of Washington, Seattle
“Interiors” Chase Gallery at City Hall, Spokane, WA
“Realism ‘94” Fletcher Gallery, Santa Fe, NM
“The Betty Bowen Legacy” Security Pacific Gallery, Seattle, WA
2003, 2001, 1997, 1991 PONCHO Invitational, WA State Convention Center, Seattle, WA
“Three Bellingham Artists: Tom Wood, Susan Bennerstrom, John Cole”
Mercer Island Art Center, Mercer Island, WA
“Art in Nature” Pacific Art Center, Seattle, WA
“Landscapes” Alonso/Sullivan Gallery, Seattle, WA
“Pastels: Landscapes from the Chalk Circle” Lisa Harris, Gallery, Seattle
“Northwest Landscapes: Bennerstrom, Cole, Wood” Whatcom Museum, Bellingham, WA
“Bennerstrom, Cole, Wood, Perlin” Hartness-Schoos Gallery, Seattle
1989, 87, 85 Bellevue Art Museum Annual Juried Exhibition, Bellevue, WA
“Landscape: John Cole and Susan Bennerstrom” Chrysalis Gallery, Bellingham, WA
“Pastel Drawings: Susan Bennerstrom and Thomas Wood” Whatcom Museum, Bellingham, WA
1993, 88, 87, 84, 83, 82, 81 Northwest International Art Competition, Whatcom Museum,
Bellingham, WA
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PUBLICATIONS
& REVIEWS |
“Five Women Artists: Susan Bennerstrom” Whatcom Museum blog, Spring 2020
Michael Upchurch, “Interpreting the Landscape,” Seattle Crosscut, Oct. 11, 2018
Bellingham Review annual print issue 2016-present (cover art and interview)
Alec Clayton, “A Couple of Cameras: Photographs by Susan Bennerstrom & David
Scherrer,” (review), The Weekly Volcano, Dec. 12, 2015
Darkness Sticks to Everything: Collected
and New Poems, by Tom Hennen (cover art), 2013, Copper Canyon Press
Michael Upchurch, “You’ll see emptiness inhabited in Susan Bennerstrom’s
captivating interiors” (review), Seattle Times, Nov. 18, 2010
Kiera Scholten, “Susan Bennerstrom,” ArtWorks Magazine, Summer 2010
Silencing the Self Across Cultures: Depression and Gender in the Social World,
ed. by Dana Jack and Alisha Ali (cover art), 2010, Oxford Univ. Press
Thresh & Hold by Veronica Patterson (cover art), pub. Big Pencil Press,
2009
What Love Comes To: New & Selected Poems by Ruth Stone (cover art), pub.
Copper Canyon Press, 2008
Plowed Under: Agriculture and Environment in the Palouse by Andrew P.Duffin
(cover art), pub. by University of Washington Press, 2007
The Disheveled Bed: Poems by Andrea Carter Brown (cover art), pub. by
CavanKerry Press, 2006
Christina Twu (review), Seattle Weekly, Oct. 26 – Nov. 1, 2005
“Witness, II,” collaboration with poet Suzanne Paola, Indiana Review, vol. 27,
no. 1, Summer 2005
Virginia Campbell, “Less Is More: Susan Bennerstrom’s unusually composed
pastel interiors are empty of clutter and full of mood,” Southwest Art
Magazine, April, 2005
“Susan Bennerstrom” (review), Andrew Engelson, Seattle Weekly, May 5-11,
2004
Messages from Washington State, pub. M.J. Murdock charitable Trust, 2003
100 Artists of the West Coast, by Douglas Bullis, pub. Schiffer Books, 2003
Susan Bennerstrom: Existing Light, catalog for retrospective, Whatcom
Museum of History and Art, essay by Deloris Tarzan Ament, 2002
Judy Wagonfeld, “Vistas of Light: Color shimmers in the paintings of Bellingham artist
Susan Bennerstrom,” Seattle Post-Intelligencer, Oct. 12, 2002
Susan Bennerstrom: Oil Pastel Paintings on Panel, catalog, Terrence Rogers Fine
Art, Santa Monica, CA, Oct. 2002
Deloris Tarzan Ament, “The Transformative Power of Light: Susan Bennerstrom Exhibits at
Davidson Galleries and Whatcom Museum,” Art Access Magazine, November, 2002
Kie Relyea, “Between Acts: Paintings Ask ‘What’s Next?’” Bellingham Herald,
August 24, 2002
The Pacific Northwest Landscape: A Painted History, edited by Kitty Harmon,
Introduction by Jonathan Raban, pub. By Sasquatch Books, 2001
Lyn Smallwood,”A Brush With Nature: Seven Landscape Artists,” Washington Journey
(AAA magazine), Jan.-Feb., 2001
“The Best Books of 2000,” Los Angeles Times Book Review Section, Dec. 3,
2000
Regina Hackett, “Move the Coffee and Make Room for the Art,” (Book review), Seattle
P-I, Nov. 27, 2000
Kie Relyea, “Shadow and Light: Artist’s Drawings suggest More Than Meets the Eye,” Bellingham
Herald, Nov. 11, 2000
Susan Bennerstrom (monograph), essays by Rod Slemmons, Sarah Clark-Langager,
Robin Updike, published by Davidson Galleries and
University of Washington Press, 2000
Wesley Pulkka, “Contemporary Realism: A New Twist on Tradition,” Southwest Art,
July 1999
“Artists to Watch: Susan Bennerstrom…” Southwest Art, July 1999
Catalog for Realism Invitational, Jenkins-Johnson Gallery, San Francisco, essay by Peter
Frank, June 12 – July 31, 1999
Margaret Bikman, “Art’s Going to the Country: Exhibit Focuses on Rural Landscapes,
Themes,” Bellingham Herald April 23, 1999
Robin Updike, “Shows Worth a Close Look,” (review) Seattle Times, 4/8/99
Robin Updike, “Landscapes by Lottery – It Keeps the Growing Crowd of Buyers In Line for
Bellingham Artist’s Work,” Seattle Times, May 27, 1998
“Exhibition of Pastels by American Artist Susan Bennerstrom,” The Anglo-Celt, Cavan,
Ireland, Oct. 9, 1997
Whatcom Places, intro. By Ivan Doig, Whatcom Land Trust, pub. 1997
Deloris Tarzan Ament, (review) Seattle Sidewalk, April 18, 1997
Ted Lundberg, “Susan Bennerstrom: Pastels,” Preview magazine, Apr/May 1996
“Creativity in Bloom,” (review) Seattle Times, April 12, 1996
Sheila Farr, “Retinal Pleasures,” (review) Seattle Weekly, April 17, 1996
Barbara Straker James, “Shaped by the Land,” Museum of Northwest Art News,
Summer, 1996
Carmi Weingrod, “Art by Census: Should People Get Exactly What They Ask For?” American
Artist, October 1995
Gussie Fauntleroy, “Travelling to the Edge of Expectation,” The Santa Fe New
Mexican, August 25, 1995
Bruce Barcott, “Art Your Way,” Seattle Weekly, April 26, 1995
Sheila Farr, “America’s Most Wanted,” Bellingham Herald, April 22, 1995
The Bellingham Review, (reproductions), vol. 17, nos. 1 & 2, 1994
Willow Springs, (reproductions), no. 34, Summer 1994
Nature Through Her Eyes: Art and Literature by Women, ed. Mary Bemis and Belinda
Recio, pub. The Nature Company, 1994
Sheila Farr, “Light on the Landscape,” (review) Bellingham Herald, July 23,
1994
“Susan Bennerstrom, Artist of the Ominous,” The World and I magazine, Wash.,
D.C., vol. 9, no.1, January 1994
Deloris Tarzan Ament, (review), Seattle Times April 26, 1993
Candelora Versace, “Brooding Hills, Sunny Shores: A Study in Contradictions,” The
Santa Fe New Mexican, August 7, 1992
Jessica Maxwell, “Palouse Pentimento,” Pacific Northwest magazine, April
1992
Russ Whiting, “Bennerstrom Moves at Her Own Pace,” The Santa Fe New Mexican,
August 9, 1991
Karen Matheison, (review), Seattle Times, March 7, 1991
John Marshall, “Visions of Success,” Seattle Post-Intelligencer, June 3,
1991
Ann Douglas After, (book cover), Breitenbush Books, Portland OR, 1990
Artweek, (review), January 14, 1989
John Harris, “Artist Tries Change of Pace,” Bellingham Herald, January 10, 1989
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